Link

WORKS: 

The project Time / Life is a responsive environment in the form of a four-staged interactive theatre. The installation operates within various design fields, such as interaction design and embodied interaction, moreover it is an absolute experimental work for an experience design of a theatrical genre.

The overall THEME of the project takes its starting point in postmodern condition (or more correctly the post postmodern). The sub-theme builds around this and operates with the identity of a single individual as it is distributed among a collection of almost an endless list of roles played in everyday life.

These various roles are undermined by a series of issues very important according to those difficulties that we are facing from day to day. Among other things here we see the relevance of fighting with being several places at the same time, fighting with time and time schedules, multitasking as our new and obligatory competence, satisfactory to all sides. We are aiming for being the good husband and wife, the good parent, daughter and son, boss of employees and other bosses, the colleague, the care-taker, the creative, the ambitious, beautiful, up-to-date, and the list goes on. In this game we are caught somewhere in a labyrinth-like system, where there is almost no place to the real us – if we at all are able to remember who we are.

The HOW

In this project we wish to make a real-time theater in form of a performative responsive environment (includes interaction design and experience design). The narrative to be told works strongly around the above mentioned theme, and genre-wise we wish to develop a parody with a stronger social message between the lines. Audience participation is applied as part of the design – and forms the core of the piece. The Time / Life project aims for a unique multisensory experience of the users / audience, which is both exposed by a responsive system, interactive storytelling and the physical form.

I Overmorgen Bliver Jeg En Anden…

“Gennem en film oplever man, hvorledes Sandro Masai på et værelse klæder sig på og langsomt skaber sig en identitet. Denne film følges op i forestillingens afsluttende sekvens, hvor danseren Sandro Masai i en voldsom, affektbetonet og meget ekspressiv dansescene affører sig klædningsstykke for klædningsstykke for til sidst ganske nøgen og smertefuldt at være identitetsløs. Masai viser her i sin dans følelsernes mægtige spændvidde.” Jens Henneberg, til Nordjyske

(English)

Date 30th April – 21th May
Place Watt Hall – Nordkraft Teater
Category Adult Performance

“Tomorrow I will be another…” is an explosive mix of drama, music, dance and magic. The show is based on the Portuguese poet Fernando Pessoa’s life, who wrote and lived under a sea of different identities …
“Tomorrow I will be another…” is a theatrical bastard on identity frailty and a celebration of the game that makes life worth living …
Supported by Statens Kunstråd.

Starring
Actor: MORTEN BURIAN
Dances: SANDRO MASAI
Musician & Composer: CHRISTIAN SKJØDT
Magician: DAVID THOLANDER
Instruction MIKKEL FLYVHOLM
Set designer LISBETH BURIAN
Text FERNANDO PESSOA AND ENSEMBLE
Duration CA. 75 MIN.
Own production

(Dansk)
I OVERMORGEN BLIVER JEG EN ANDEN
Egenproduktion
Tidspunkt 30. april-21. maj
Kategori Voksenforestilling
Sted Spilles i watt-salen
En poetisk billedstorm om at miste alt, og genfinde det hvor man mindst venter det…
”I overmorgen bliver jeg en anden…” er en eksplosiv blanding af skuespil, musik, dans og tryl. Forestillingen tager afsæt i den portugisiske digter Fernando Pessoas liv, der skrev og levede under et hav af forskellige identiteter…
”I overmorgen bliver jeg en anden…” er en teaterbastard om identitetens skrøbelighed og en hyldest til den leg der gør livet værd at leve…
Støttet af Statens Kunstråd.

Medvirkende Skuespiller: MORTEN BURIAN
Danser: SANDRO MASAI
Musiker & komponist: CHRISTIAN SKJØDT
Tryllekunstner: DAVID THOLANDER
Instruktion MIKKEL FLYVHOLM
Scenograf LISBETH BURIAN
Tekst FERNANDO PESSOA OG ENSEMBLET
Varighed CA. 75 MIN.

David Lynch spøger i kulissen DR P2 – 02. maj 2011 kl. 15:30 på P2
http://www.dr.dk/P1/Kulturnyt/Udsendelser/2011/05/02164643.htm

Livets kermesse anmeldelse NORDJYSKE – 02. maj 2011 04:00

http://www.nordjyske.dk/artikel/10/2845/162/3854711/3/livets%20kermesse

Performance

Saturday 12th february 2011

 

Performance Art

 

It’s A Boring Century kryber, for en kort bemærkning, ud af sit vinterhi og arrangerer en impro-event af anderledes format lørdag d. 12. februar. Dette bliver det første samarbejde med hele 2 nye venues på samme aften.
Det hele starter på Galleri Niemi på Østerbro kl. 19.00 med musik, dans og visuals leveret af de 3 bestyrelsesmedlemmer i iABC: Edit E. Vizer (Visuals), Christian Skjødt (drums & Objects) og Søren Raaschou (Guitars & Effects). Disse tre får tilmed selskab af danseren Sandro Masai.
Der er planer om at bruge alle rum i galleriet, så der bliver ingen grænser for hvilken drejning showet kan tage.
Umiddelbart før kvartetten starter, vil André Niemi levere en enestående soloperfomance som ikke kan beskrives med ord. Det SKAL bare opleves….

Efterfølgende drager artisterne sammen med de tilskuere der kan rumme mere udfordrende inputs videre til Café Nordkraft hvor Edit E. Vizer og André Niemi Battler ved DJpulten.

Dette bliver indtil videre sidste arrangement fra iABC’s side, men vi håber at diverse støttefonde giver os medhold i at der er brug for en koncertforening som denne. Sker dette fortsætter vi med flere arrangementer efter sommerferien.
Så kom og oplev det – indtil videre – sidste arrangement i It’s A Boring Century´s historie på Galleri Niemi – Østerbro 70 og efterfølgende på Café Nordkraft – Østerbro 12. Begge venues i Aalborg.


19:00 Performance night at Galleri Niemi

Østerbro 70, 9000 Aalborg

Sandro Masai : dance

Edit E. Vizer : visuals

Søren Raaschou : guitar & objects

Christian Skjødt : drums & objects

Modern Dance Festival 2010 – Transformator

Thursday 25th November

”Phoenix”

An investigation of our body movements in relation to each other, to the room and the audience – an investigation of our bodies as part of a bigger system – the performance itself.

Ina (Denmark) has danced for about five years, mostly Jazz and Modern dance. She also has a background in gymnastics, martial art, physical theatre and drama.

Egle (Lithuania) has been dancing for four years. She started with aerobic dance and later hip-hop, which she danced for a short period. Now she decided to experience modern dance.

Music by: Lars Kyndesen (drummer)

“Within”

“Summer is a season, but also a way of being. Summer is a mood, a scent, a feeling on your skin… so time does not matter anymore. Round, smooth, soft, warm… The memories on the wall and the summer on stage.”

Lucia Margheritini (Italy): modern dancer for two years, has already participated in the performances: “Poems” and “Sex” of the Sandro Masai’s Dance Troupe. Being individualistic and always reluctant about obeying rules, she finds her peace in the modern dance.

”My two instruments”

A solo performance to connect the audience with the drum-beat of the earth. Using the rythm of a djembe and the own  body as instruments to express the spiritual energy that runs through us.

Pernille Rasmussen (Denmark): ”As an artist, I like to express myself through modern dance using my body as a paintbrush and the stage as canvas to create my paintings.”

Pernille has been dancing in Sandro Masai’ Dance Troupe for two years and has participated in the performances ”LivArt” and ”Poems” in 2009 and ”Sex” in 2010.

Music and video: Sandro Masai

Friday 26th November

“Communication”

In the process of reaching mutual understanding, in which participants not only exchange information but also create and share meaning, we attempt to follow some conventional rules. We also get impatient of expressing our point of view and we find comfort when we feel we have been understood. Through the dance language we explore this process by mimicking and deconstructing movements. We enjoy freedom of expression clashing our styles into contact improvisation.

Lucia Margheritini (Italy): modern dancer for two years, has already participated in the performances: “Poems” and “Sex” of the Sandro Masai’s Dance Troupe. Being individualistic and always reluctant about obeying rules, she finds her peace in the modern dance.

Milan (France): has been dancing in Sandro Masai’s Dance Troupe for two years, with a background of fire dance, yoga, African rhythms and martial arts.

Puck Graafland (The Netherlands): is a modern dancer from The Netherlands who started with classical ballet as a child. Later on she discovered and fell for modern dance, creating two choreographies for the Dutch Dancing Days in 2007 and 2008. She has also performed in a movement theatre piece, which she likes to explore further.

”Never alone”

“The story I tell is about how it feels to be alone in a big world. I would say it is a little about all the issues teenagers go through as teens. How to react to the feelings you suddenly get out of nowhere.”

Anna Christiansen (Denmark) has been dancing for about 13 years. “I enjoy using my body for something that not all people are in to. I am young, but I feel like my body is old when I dance, because I know every corner, every cell. It is fantastic to dance like this, and I do not think I will ever stop.”

“As I got Kvium”

This is an interpretation of Michael Kvium’s creatures’ body language.

Music by: Christian Skjødt.

Sandro Masai (Brazil) is a dancer and choreographer, started his carrier as an actor about ten years ago in São Paulo in Brazil. In the last six years has been dancing modern dance, performing and teaching. He has started a modern dance company  in Aalborg  - The Sandro Masai’s Dance Troupe – and has been making solo and group performances in several events, theaters and art galleries in Denmark and other countries.

Costa Del Sol

A metaphorical short film about an immigrant who arrives on a distant shore, where he encounters the remnants of European civilization. He searches for people to help, but the search is unsuccessful.

The film uses contemporary dance as the central mean of artistic expression.

Written and directed by Benjamin Schindler and Jan Wilde

Starring: Sandro Masai

Camera: Benjamin Schindler
Editor: Carlos Fleischer
Sound: Jan Wilde
Sound design: Lukas Trunzo

A production of the Academy of Media Arts of Cologne

Year: 2010
Length: 00:12:00

Support: Prof. Sabine Rollberg

Studies In Water For Movement And Sound

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Kulturnatten 2010, september 3rd.

19.00 and 20.00

Nordkraft – Kunsthal Nord

Studies In Water For Movement And Sound

A dancer and a musician immersed in the wet element in an experimental audio-visual performance.

Sandro Masai: dance.

Christian Skjødt: electronics.

Kulturnetten:

http://www.kulturnatten.com/programmer/program%202010%20kort.pdf

Hvidt Kød, Sort Kød og Citron

This Performance Art was inspired by Michael Kvium’s artwork and played on June 16th 2010, at the museum ARoS – Århus.

Musician: Christian Skjødt

Actor: Morten Burian

Dancer: Sandro Masai

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